“Just as strong [as Derrick Lee Weeden's Duncan/Porter] is Pratt’s Malcolm... her thoughtful choices activate the text and make you feel like you’re conversant in Renaissance English. In one disarmingly candid scene, when Malcolm wrestles with his faults, Pratt is genuinely, nakedly puzzling over his fate in the universe — whether he deserves to be king — as if he could see himself like an astronaut looking down on Earth.”